On an "outstanding" lesson

I've just been channel-hopping and came across Teachers' TV. It was citing an example of an "outstanding" lesson on elementary geometry for, I guess, 9-year-olds. "Outstanding" is Ofsted's term, by the way.

Not only was the lesson poorly constructed, but just under the surface it was teaching rubbish...

1. The teacher gave several instructions but then qualified them with, "but before that, you need to..."
   
   
2. She put up a small text slide outlining the lesson objectives. Why? This is teacher-speak, which means nothing to learners, who have no interest in framing stuff this way. Basically, in order to make sense of this kind of specification of steps towards a goal (if that is actually a good metaphor) you need to be able to stand outside the experience, to see the map of the journey; and of course very few learners can do that. Indeed, probably none of them... not even postgrads. So all this "explanation" does is to confuse further.
   
   
3. Most egregiously though, it reproduced precisely the offence I experienced at the same age. I can remember the class vividly. It was the first half of a Friday afternoon, just before Art or the Story which wound down the week, probably in the Spring of 1953 or thereabouts.
   
   We were given exactly the same exercise as the pupils in the programme. Construct a triangle (actually, these pupils had the triangles drawn and cut out for them), then use a protractor to measure the angles, and add them up to arrive at the magic total of 180 degrees.

Except that they didn't! As I recall, my total was about 183 degrees, and the girl next to me got 178 degrees. Neither our understanding nor the teacher's (OK--to confuse the issue but to explain much else, this was the bizarre year when my mother was also my class teacher) could cope with "margins of error". So there was a meta-learning in this lesson:

The theory and received wisdom is correct. If your experience differs, it is wrong. 

It was repeated many times afterwards, in practically every "science" lesson in particular throughout my schooling. To be fair, it wasn't surprising in those days. I was in secondary school in the late '50s when budgets were very tight, and the improvisation of equipment was taken for granted. 

But things have changed; we are no longer constrained by limited facilities (at this level). And while I and my peers understood at some level that our practicals were just playing at science, children today are accustomed to something more definitive.

I don't want to get hyperbolic, but forget "objectives" and aspirations, and get down to more realistic "takeaways" including the unintended ones.

About twenty years or more ago, there was a late night Open University programme on "Professional Judgement". [See; Dowie J and Elstein A (eds) (1988) Professional Judgement; a reader in clinical decision making Cambridge; Cambridge U P] It was fascinating, and I am amazed now to find out how old it is, but the relevant point is that at the end of each programme, there was space given to --as I remember-- an academic from the LSE, to critique the assumptions and the methodology of the preceding argument.

That's the way to promote sound development of practice, not facile and fiddled "demonstrations" of what "ought" to have happened.

On a different way of conceptualising a curriculum

From D G Myers "Commonplace Blog";

A local private school has asked me to help revise and standardize the English curriculum. By the time its students graduate and head off to college, they should know, in my opinion, at least these core terms, arranged under three headings:

Genres:

Allegory, Comedy, Drama, Elegy, Epic, Fiction, Lyric, Melodrama, Novel, Poetry, Satire, Sonnet, Short story, Tragedy

Formal components and structural devices:

Character, Couplet, Imagery, Meter, Monologue, Plot, Point of view (First-person Omniscient Unreliable narrator), Prose, Rhyme, Setting, Stanza, Stream of consciousness, Symbol, Theme and motif, Verse, Blank verse, Free verse,    Iambic verse

Elements of style:

Alliteration, Cliché, Conceit, Connotation and denotation, Diction, Irony, Metaphor, Onomatopoeia, Personification, Tone, Wit

The accomplished student ought to progress from definition to recognition of literary examples and finally to application of the terms in criticism.

 I've reformatted the list, but otherwise that is the whole thing. Is it idiosyncratic? Just one scholar's way of distilling the essential of his discipline? Or is this kind of list routine? It's certainly alien to British experience although I do note that it is a private school, and "local" presumably mean "in Texas".

But how would you feel if confronted by that list--or its equivalent in your own discipline--as a curriculum? Free? Lacking boundaries? Heaving a sigh of relief? Bewildered?

I note that despite all of this being (potentially) about literature, it is totally non-prescriptive about literature itself...

On implicit values

There is no better opportunity than the enforced leisure of a ten-hour wait in an airport to reflect on the conference we (two collaborators and I) have just attended.

The theme of this year's STLHE conference in Fredericton, New Brunswick was "Between the Tides"; quite appropriate considering that it took place not far (by Canadian standards) from the Bay of Fundy, home to the "highest tides in the world" according to its website. So it looked at negotiating the countervailing influences and pressures to which higher education--particularly in Canada--is subject.

Generally speaking conference "themes" are meaningless. They are cast so widely and blandly as to say nothing which might possibly discourage any attendance or any papers, so they say nothing at all. This one was different, and was structured around four dilemmas, explored principally of course in the Canadian context, but of much wider applicability.

They were;

• disciplinary education vs. liberal education


• physical environment vs. virtual environment


• curricular learning vs. extra-curricular learning


• institutional/professional autonomy vs. public accountability

I'm not going to go into them directly, but simply to point out that once you start exploring constructs such as these it almost inevitably leads back to the values implicit in them (cf. the "laddering" method in personal construct theory), and the theme of making explicit what is already implicit--so that it can be explored and debated--cropped up time and again in the papers I attended.

It was even there in our own, on "Safe teaching, risky learning?" in which we encouraged participants (it is the tradition to be quite participatory) to explore risk-taking in teaching, in a risk-averse "quality"-obsessed HE culture. (It is even worse in FE.)

What was encouraging was the extent to which such discourses and debates were readily accepted by the conference membership. The hegemony of utilitarian and neo-liberal discourse is being challenged; at least in Canada, at the chalk-face. ("PowerPoint" [blah] -face does not have quite the same ring...)

But what was challenging was to realise that what I had thought of as my stock-in-trade for many years, having grown old teaching social work, is now being being taken up and explored in many more disciplines, via many more frameworks. Instead of people wanting to impose an ethical or political framework on what are seen as basically technical issues such as curriculum design and the adoption of models of learning or even of student attributes---instead of that, there is a new recognition that those issues were never merely technical. They always contained (in several senses) implicit values, and perhaps the choice of technical means ought to follow the value-based ends?

What are these values? What are the frameworks? Hey, work out some answers. There are lots of potential ones!